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Epiphanies

little man clapping "Luminous . . . a tour de force," "A gem!" - Robert Hurwitt, SF Chronicle, Monday, January 24, 2005
"Things left unsaid have eloquent consequences in the short stories the Word for Word company is performing in "Epiphanies" at the Magic Theatre. Words unspoken lead to a decade of drudgery for a woman and her husband in Guy de Maupassant's "The Necklace." A tacit understanding may spare the life of a woman who killed her spouse in Susan Glaspell's "A Jury of Her Peers." The essence of each story is in the revelation of what has not been said."
" That turns out to be a perfect setup for Word, the impressive small company that stages works of literature uncut and unaltered. Word excels not just at bringing to life the characters and situations on the printed page, but at embodying what lies between the lines as well. "Necklace" and "Jury" offer enough such opportunities to make the program that opened Friday a minor gem."

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3 1/2 STARS. "Magic . . . an intensely wonderful theatrical experience." - Chad Jones, Oakland Tribune
"WHEN a Word for Word show is really good — and they usually are — the satisfaction is multi-layered. First, there's the purely literary pleasure of having experienced a terrific piece of writing. The particular Word for Word alchemy involves the literal translation of short works of fiction from page to stage without altering a word of the original text. Along with the great writing comes an intensely wonderful theatrical experience that allows you to brag to your friends: "I just read a good story and saw a good play at the same time."
" Such is the case with "Epiphanies," a banner title given to a show comprising two short stories: "The Necklace," by 19th-century French writer Guy de Maupassant, and "A Jury of Her Peers," by early-20th-century writer Susan Glaspell. Both works, on stage at San Francisco's Magic Theatre, are quite different in tone and subject matter, but they're examples of the short story in top form. They provide rich material for the actors and for director David Dower to flesh out and to shape."

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"Haunting . . . seamless . . . riveting." - Anna Mantzaris, SFGate
"If you've seen their work before, you know that Word for Word follows the book -- literally -- performing short stories and novel excerpts as they appear on the page. The clever company's latest endeavor, "Epiphanies," includes productions of short stories "The Necklace," by Guy de Maupassant, and "A Jury of her Peers," by Susan Glaspell, both directed by David Dower. In "The Necklace," Mathilde Loisel (Delia MacDougall) is a woman desperate to escape her class, if only for a night; a party with the upper echelon of society changes her and her husband's (Andrew Hurteau) lives in ways they never imagined. An apartment that grows smaller by the minute, men who become a clothesline and a human armoire bring the brilliant story to life and leaves you pondering a never ending "What if?" The second act is Glaspell's haunting tale of a wife accused of murdering her husband, which brings two unlikely women together at the scene of the crime. Insight, empathy and gender issues come into play as the riveting story carefully unfolds. What seems at first like an unlikely pairing of tales comes together in a seamless and well-thought-out production."

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"David Dower's imaginative direction -- together with seamless performances from the acting ensemble -- brings both stories vividly to life." - Chloe Veltman, SF Weekly Wednesday, February 2, 2005.

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"Excellent . . . charming" - Lee Brady, Pacific Sun
" Word for Word is a company with excellent actors who read good short stories in their entirety and have a devoted – maybe even evangelistic – audience. Epiphanies: A performance of two short stories (The Necklace by Guy de Maupassant and A Jury of Her Peers by Susan Glaspell) shows off the acting talent as the group interprets these classic stories of women both foolish and wise. In the first, Delia MacDougall is a charming and vain young woman who borrows an expensive necklace from a friend, loses it, and grows older and wiser as she scrubs floors to pay for it. In the second, the women (Patricia Silver and Stephanie Hunt) are wise from the moment they walk into the farmhouse crime scene. Their husbands, sheriff (Brian Keith Russell), neighbor (Howard Swain), and district attorney (Andrew Hurteau) can’t figure out what the women know from the beginning – that Minnie Wright (MacDougall) is both guilty as sin and blameless as a new day."

"Una magnifica elección!" - Mario A. Echevarría, SF Tribune
"El grupo Word for Word se enfatiza en la representación verbatum de los textos. No abría ni un ápice en la representación exacta del libreto, no adapta el texto por ninguna razón. Esta característica hace que la realización de sus presentaciones sea mas complicada, pero gracias a la magnifica dirección de David Dower, la realización de estas dos obras de un solo acto, son perfectas, secuenciales, fáciles de digerir a pesar de lo difícil de los temas y muy bien balanceadas… ¡impresionante!"

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"Taut . . . first-rate!" - Richard Connema, TalkinBroadway.com

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