At Z Space, the heart of what we do is producing new work.

Artistic Director Lisa Steindler finds artists who have the germ of profound and innovative ideas and is a catalyst for honing these visions into a reality. By bringing together talented teams of theater professionals and insisting on a rigorous process of development, a new artistic work is born. The New Works that Z Space produces aren't limited to a particular genre or theme, each has its own unique adventure, but each contains the same commitment to discovery and theatrical excellence.

Here are some notable works of the past few years:


A HOUSE TOUR

OF THE INFAMOUS PORTER FAMILY MANSION
WITH TOUR GUIDE WESTON LUDLOW LONDONDERRY

Written by Peter Sinn Nachtrieb, Directed by Jason Eagan, Starring Danny Scheie
April 2016

Nominated for 7 TBA Awards Including: 
Outstanding actor, director, set, props, sound, world premiere and overall production.

A House Tour of the Infamous Porter Family Mansion (or House Tour for short) is a prime example of the type of innovative collaboration that Z Space prides itself on. Z Space's in-house playwright Peter Sinn Nachtrieb wrote this hilarious satire specifically with Danny Scheie in mind exploring the charmingly warped inner world of tour guide Winston Ludlow Londonderry III. An immersive set by designer Sean Riley took the audience on an actual tour of a series of vignette pieces. This sold out show ran from March 29th through April 23rd, 2016.

"House Tour [is] a raw and polished gem."
       —Claudia Bauer, SF Gate / SF Chron


"alternatively gut-bustingly hilarious and intensely poignant..."
       —Jack Morse, SFist


HUNDRED DAYS

Composed, Created by, and Starring The Bengsons
March/April 2014

Directed by Anne Kauffman, Book by Kate E. Ryan
Co-produced with piece by piece productions and Encore Theatre

It's a musical, well it's not a musical, and it's about love and life...well OK, it's also about loss and death. Hundred Days is a rare example of seeing a genre born onstage in front of your very eyes.

Sean and Abigail Bengsons' hauntingly beautiful indie-folk rock is a universe removed from the bouncy, sing-along, heart-of-your-sleeve fare of your typical musical. The innovative form, not a musical per se, but a live concert performance mixed with storytelling, dramatic interludes, and liberal breakings of the fourth wall, is now being emulated widely across the theater community. A milestone in Z Space's New Works program, Hundred Days enjoyed a second run in Cincinnati at Know Theater. A New York production is currently in the works.

"the Bengsons…elevate it to modern-day myth."
- Lily Janiak in the SF Weekly


THE TOTALITARIANS

Written by Peter Sinn Nachtrieb, November/December 2014

The first play we produced that was by our in-house playwright Peter Sinn Nachtrieb. The Totalitarians is a raucous dark comedy about the state of modern political discourse, modern relationships and how easy it is to believe truths without facts. In many ways, the current political climate has show the play to be remarkable prescient. Commissioned by NNPN  through the Full Stage/USA Program at New Dramatists with a lead grant from the Andrew W. Mellon Foundation.  Z Space was part of its 2014 Rolling World Premiere, directed by Kenneth Prestininzi.


THE COMPANION PIECE

Directed by Mark Jackson, 2011
Co-Created by Beth Wilmurt and Mark Jackson

When Z Space first took over Theater Artaud, Artistic Director Lisa Steindler knew that she needed the perfect piece to showcase our new home. Enter Mark Jackson and Beth Wilmurt with The Companion Piece. Using the 'blank-canvas' room in an expansive and innovative way, this piece set the bar for many of the productions that have followed at Z Space.

Synopsis: On a large empty stage, an aging vaudeville Headliner opens and closes the show with his long-since perfected act. In between, a vaudeville duo struggles to create their own perfect act. Drawing on elements of classic American vaudeville, as well as contemporary post-dramatic theater forms, through a series of acts and attempted acts the Duo and Headliner grapple with questions of survival and identity. Can we go it alone? Is our individual survival dependent on our identity, and on other people?